Such a genre scene, not to mention female nudity, would never have been portrayed publicly in monumental painting or sculpture of this time. This is a servant girl, who has removed her clothes to bathe. (Jane Hwang) ONESIMOS, Girl preparing to bathe conventional frontal and profile composition views the representation of unusual positions of the human form (Jane Hwang) EUTHYMIDES, Three revelers (Attic red-figure amphora) used for mixing wine and water, the favored drink of the Greeks To defeat him, Herakles had to lift him up into the air and strangle him while Antaios body is not touching the Earth. He derived his power from the contact with the ground. The krater depicts the struggle between Herakles and AntaiosĪntaios was a Libyan giant, a son of Earth. KYLIE EUPHRONIOS, Herakles wrestling Antaios (detail of an Attic red-figure calyx krater) Behind them one of the lions pulling a goddess's chariot attacks a giant and bites into his midsection Apollo & Artemis pursue a fleeting giant right Marble sculpture on all four sides of building Detail of the north frieze of the Siphnian Treasury KYLIE - Reconstruction drawing of the Siphnian Treasury (c. Chrysaor and Pegasus = Medusas children Btwn Medusa and the great beasts → the human Chrysaor and the winged horse of Pegasus One of the earliest stone peripteral temples in Greece KYLIE - West pediment from the Temple of Artemis (c. Some of the building has completely vanished Ridgepole: the timber beam running the length of the building below the peak of the gabled roof Central row of columns that divides the cella into two aisles Identify this image ch 5 Gardner 117 - Plan of the Temple of Hera I (c. The left is the Doric Order and the right is the Ionic Order. In the Archaic period, two basic systems evolved for articulating the three units. opisthodomos: rear poarch Alex I The elevation of a Greek temple is described in terms of the platform, the colonnade, and the superstructure.
0 Comments
Leave a Reply. |